

It follows the precarious odyssey of these fish that are born in freshwater streams, swim down to feed and mature in the ocean, then run up again to spawn just once, and die. In the words of Langdon Cook, author of this invigorating book, “They’re dissolving into fable.”Īt the heart of “Upstream” is a journey-the oldest shape in literature.

The review, by David Profumo, appeared in the weekend edition, June 24.Ĭhinook, sockeye, coho, chum, humpback, steelhead-they sound like a lineup of heavy metal bands, but these are all species of the Pacific salmon genus Oncorhynchus, a charismatic tribe of silvery migrants once so prolific that they were used for fertilizer and dog food but are now, in places, so embattled that some fragile populations face extinction.

(11/18) I’ll be at the PDX gig this Wednesday with several other esteemed writers, artists, conservationists, and moon-howlers.ĭear Readers, I’d like to share The Wall Street Journal‘s review of Upstream with you in full as it isn’t available online without a subscription. In related news, this week kicks off the second annual Cascadia Tour for Writers on the Fly, with readings/happenings in Bend (11/14) Portland (11/15), Seattle (11/16), Bellingham (11/17), and Vancouver, BC. In episode three of The Fly Tapes I talk to Jason about salmon culture, the recent release of my book Upstream: Searching for Wild Salmon, from River to Table, and the writing life, among many other topics, in a wide-ranging conversation that might as well be taking place in a drift boat deep within a basalt slot canyon. In addition to guiding and taking shifts at my local flyshop, Emerald Water Anglers in West Seattle, Jason operates the Syzygy Fly Fishing web site, runs a podcast called The Fly Tapes, and is the impresario behind Writers on the Fly, a traveling reading series that combines tales inspired by fly-fishing with visual art, music, conservation, and beer (not necessarily in that order). RECENTLY I HAD the pleasure of talking with Jason Rolfe, a writer and fishing guide who uses fly-fishing as the put-in to navigate an ever-changing stream of words, art, and ideas through a variety of mediums.
